
Husband is dealing with another deadline--once in awhile I take to the kitchen when he's working at night and bake something fantastical. Like
these cookies.
And then I figured out that with our netflix account we can play movies instantly on our computer. So I can watch while I "work in the kitchen," which means it takes twice as long but is also twice as much fun.
Yesterday I went with the girls to pick up our produce box, the location of which is next to the world's weirdest ice cream store (I scream for ice cream). It's like a flea market, a children's museum, and charlie's chocolate factory whipped into one place, filled with every retro, germ-filled toy imaginable for a kid to play with. H1N1, anyone? Of course we had to go in and get Heidi some gummy bear topped ice cream before lunch.
To top everything off, the owner started playing a movie as we sat down to eat:
Tender Mercies, starring Robert Duvall from like way back in the 80s. It was maybe the last thing I would ever expect to start watching in such a setting. Between trying to mop up spilled ice cream and germexing Heidi's hands, I was able to catch the plot of the first moments of the movie, and since the themes kept lingering in my mind all day, I played it in our kitchen while making cookies.
Tender Mercies is essentially the
Walk the Line of 1983. However, if the two films squared off in a final "best redemption story ever in the category of substance-abusing, second-time-marrying country singers,"
Tender Mercies would take the cake, hands down.
I haven't read enough about the screenwriter of this movie
(Horton Foote) to know whether he is a Christian, whether he meant the film to be a study of Irony, a deepened, expanded character piece (which won Robert Duvall his best actor academy), or a truly heartfelt story of redemption. Somehow he accomplished all three.
I could say so much about what I saw in this movie. The character who impressed me most was a widow, Rosa Lee (Tess Harper) whose line coined the film's title, "Tender Mercies." At one point in the film she says matter of factly, " I thank the Lord each day for His tender mercies towards me." To the faithless, her line falls flat. The film is filled with desolate, harsh images and events, moments of great fear, darkness, and doubt. That's why I really wondered where the screenwriter's heart was. But for each picture of despair, there is an accompanying one of hope in the film. For the sinner, there is a saint. For the childless, a child. For the fatherless, a father. For the widow, a husband. For the lifeless, a New Life.
This movie is one of the few I've ever seen that contains a baptism. Another great line from it: "Do I look any different? Not yet."
The things that happen in our lives have certain shapes. We need just a certain thing at just a certain moment. The Tender Mercy is always there, in that moment, New Every Morning. A thing, a voice, a picture, that just fits into that need, and when it comes, we know that it's an answer to prayer.
My blogging is less and less in proportion to the number of times I've caught Heidi jumping on sister or pulling Una's tail. New things happen every day that remind me of my ineptitude for this calling. Some small, some major. I just need to remember to be thankful, so thankful, for His Tender Mercies towards me.
And everyone should watch this movie.